How we learned the art of small living while exploring the country.
Our Sprinter van is parked for the night at the Arapaho National Forest in Colorado at 13,000 feet, overlooking a pristine lake lined with snow-capped mountains, so close you can hike to the snow line in a few minutes, in August. My wife is off on her morning run and I am up to greet the dawn and make that requisite hot pot of french press coffee. I open my arms out wide and carefully peek out the window to the grand scenery just outside our little home on wheels. I grab the computer and begin to write an ode to the day or retouch an image shot the day before.
When I was approached by the owner of Atteza Jewelry to photograph their campaign I jumped at the opportunity! Although outside my strick field of expertise architecture, which requires teutonic precession and workflow, this assignment would allow me to develop and re-discover my original and more natural approach to the image capturing. Also working with Altezza a company founded by Fania Castro would be close to my heart as the pieces are derived from pre-Colombian symbols and myth. My wife is Colombian and my two kids, well are half Colombian!
Imaging over the past few years has been opened up to just about anyone with an iPhone and a reasonably good eye, leading to a flood of talent onto the market, both commercial and that just for the fun market. Photographer s and the general public have all enjoyed looking at the landslide of killer images that seem to pour out of our IG feeds on a daily basis. Yet for the purely commercial shooter, this “landslide” of talent holds some not so hidden dangers.